When I get into voracious reading mode, I rarely take time to digest books after I’ve finished them. Close the last page of one book, pick up the next one in the queue — which is blessedly neverending, Reading Challenges or not. So no sooner had I finished Swiss Sonata than I picked up Douglas Glover’s Elle, the GG winner for 2003. Which was a hard gear shift. So I’ll be taking a minor break from Canadiana before I dive into the list again.
Elle takes place in the sixteenth century with a focus on the French discovering the New World. So far, A-okay. The main character is a libidinous young Frenchwoman, Elle, handed over to her father’s cousin for her refusal to curb her passions or get married or submit herself to a convent. The cousin is on his way to Canada to find a way through it to China and show up Monsieur Jacques Cartier. Elle’s lover joins her on the journey, and the two are ratted out for having sex multiple times on the voyage. She alone is punished for her “chronic recidivism” and banished to an island in the Gulf of St. Lawrence. Her lover heroically/foolishly throws his lot in with her, as well as Elle’s nurse, and the three of them struggle to survive in the Canadian wild with their minor French nobility knowledge and education.
That is just the set up. On the island, she discovers she is pregnant. They eat books to stay alive and kill slow, stupid birds for meat when they can. She flashes back and forth between her life in France and her current situation. As starvation and winter begin to set in, the author takes us into her delusions and delerium. Eventually, the Natives find her and help her in the ways they can, but her mental state never seems to fully recover. As a reader, you spend most of the book trying to figure out what’s going on, which is in line with the main character’s struggle.
The writing itself is rich but slippery. The same mental texture as water that’s too soft. Glover’s extensive vocabulary is an unexpected relief for a wordsmith like me. The writing flowed and it was a quick read, but for the life of me, I could not get my head wrapped around over half of what was going on in the story. It could have been that I was trying to read too fast to process everything (which happens often), or it could have been that Glover got so caught up in the flow of words that he forgot to involve the reader in the meaning (of which, I’m sure you know, I am also guilty). Either way, there were moments that I was able to pause and savour a phrase or a word, which will help me forgive some of the aspects of the book I didn’t enjoy.
I think there are two pitfalls to writing historical novels: 1) they become infused with modern perspectives, which makes the characters implausible; or 2) the author does all the research he/she can on the psychology of the time but can’t weave the knowledge into the characters enough to keep the attitudes from screaming out “HEY! PEOPLE DON’T THINK LIKE THIS ANYMORE!” The second one is especially dangerous when your intent/focus is to avoid the first pitfall at all costs. Glover definitely did his research; there is not a single modern attitude in the whole book. There were, however, times when the explanations seemed extraneous to the story. It was information that was interesting, but perhaps could have remained as backstory.
I’m also not exactly sure what this book did that set it apart from other Canadian novels in 2003. Yes, it focused on Canada. Yes, it was much better than a lot of the drivel (Canadian and otherwise) that gets published. I’m not sure I would have voted to give it a high Canadian literary honor. It was adequate, and perhaps I will pick it up again someday to reevaluate my opinion. But it won’t be for a long time. Certainly not until I’ve forgotten more about it.
Final rating: 5.5/10