The man who introduced me to the poetry of Michael Ondaatje drank 75 cans of Sprite during the month of October 1997 to win a bet. To celebrate his victory, I wallpapered the corkboard in my dorm room with flattened Sprite boxes. This same man once told me I had skin that a seventeenth century poet would die for. He didn’t know that I wrote poetry until long after we had explored the impossibility between us, but after reading the first piece I sent him, he told me my writing reminded him of Ondaatje.
The man who introduced me to the poetry of Ondaatje became a catalyst in my writing. Not an influence directly. We never wrote in the same way — he loved structure and I just wanted the words to flood the page with images — but we shared this love of one poet in a particular intersection of our lives.
As I remember it, Ondaatje’s The Time Around Scars was his favourite poem at the time.